The Lady in the Water
Starring Paul Giamatti, Bryce Dallas Howard, ans Steven Wright.
Directed by M. Night Shyamalan
SUMMARY
A bedtime story. A maintenance man (Cleveland Heep) at an apartment complex comes across a young woman named Story, who is a Narf from another world. She has come to bring awakening to mankind, but she is in danger of being prevented from returning to her world, as a ferocious creature would prevent for fulfilling her destiny. Members of the apartment complex find that they are a part of this story as it continues to unfold.
REVIEW
I must start by comments by acknowledging that the critics are nearly unanimous in their opinion of this movie: They hate it. This made me very nervous. I am a big Shyamalan fan. I loved The Sixth Sense, and Unbreakable and Signs are two of my all-time favorites. That is important because I must emphasize that I but into Shyamalan. I love his themes, his story-telling, and the way he pictures amazing events coming upon mundane and broken people. Out of all of his movies (the three above mentioned, and The Village, which I did not like), The Lady in the Water is the one that most departs from reality. This is a big problem for some. In Unbreakable I found myself going back and forth on whether or not David Dunn really was a superhero. While I watched Signs I kept wondering if this was a hoax, or if aliens were really coming. The Lady in the Water solves this question immediately, as there is no doubt that supernatural things are happening. If the viewing can accept this, it makes it easier to accept the sometimes ridiculous events that follow. Just as Signs was not about aliens (they were just the backdrop), The Lady in the Water is not about Narfs or any of the other creatures or characters. It is about purpose, and healing, and (interestingly enough) stories. Many saw the previews and wondered at the fact that this was said to be adapted from a bedtime story that Shyamalan created for his children. After watching it, it is clear that he really did stick to his intent. It truly is a bedtime story. Accept that, and allow it to be a bit silly at times. The point is not to present a realistic picture of how people might respond to events like these. The point is that these events are Shyamalan's vehicle for expressing some powerful and pervasive ideas. One idea in particular, related to becoming significant through circumstances that are painful, is especially powerful and thought-provoking. You may understand by now, I really liked this movie. At the same time, Shyamalan is polarizing and I fully understand that many will hate it. The viewer must really put himself or herself in Shyamalan's hands and keep rememberring, "It is a bedtime story. It is not meant to be realistic, or in keeping with how people would really respond. It is the backdrop for a powerful message." Some will not be able to handle this. My wife and I were, and we loved it.
QUESTION FOR THOUGHT
Shyamalan deals with his normal subject matter, which is, as one critic put is, "broken people encountering the supernatural." One main question from the movie I will not pose here, because it would serve as a bit of a spoiler. However, the question of purpose was pervasive and put forth in a new and creative way. Do we believe that God has us here for a purpose? Is that purpose only a broad purpose for every human, or is there a more specific one for each individual? What are our criteria for determining whether or not our purpose is significant?
OVERALL
We all love the great stories. In the great stories there is someone who is ordinary. He or she then finds out that there is a battle going on he or she was totally unaware of. Then the character finds out that he or she has a key role to play in this battle. Read John Eldredge's Waking the Dead if you want more on that. Shyamalan's movie fits this bill on several levels. It has powerful themes, and once again makes us wonder if significant things are possible from seemingly ordinary (or even broken) people. Many will not get this movie at all. I did, and I appreciate Shyamalan for it. Some feel that he is pretentious for sticking to his unique methods and for acting in his movies (he has his largest part to date in this one). I instead view these things as evidence for the fact that he is deeply invested in his projects, and he believes in them. This means something to me. I got to the end of the film after reading so many negative reviews, and my first thought was, "That was Shyamalan. What did we expect?" If you don't like his movies, you probably won't like this one. If you are open, though, it can be a powerful experience.
Rating: 4 stars out of 5 possible.